Tous les chemins mènent à Guča: Modes de représentation de la Serbie et des Serbes au cours du Festival de trompettes de Guča
DOI :
https://doi.org/10.21301/eap.v7i2.7Mots-clés :
festival de trompettes de Guča, photographies, identité, les Serbes, les Roms, la tradition et la culture folkRésumé
Dans cet article j’étudie l’événement musical célèbre en Serbie, le festival de trompettes de Dragačevo, appelé communément festival de Guča, et cela en analysant les photographies sur le festival existant en ligne. Le Festival de trompettes de Dragačevo est un des festivals de musique les plus connus en Serbie et un des festivals de groupes de cuivres les plus connus au monde. Depuis 1961, il se tient tous les ans dans le village de Guča dans la Serbie occidentale. Depuis 1962, les participants des autres régions de Serbie viennent à Guča, alors qu’en 1963 les musiciens Roms y ont participé pour la première fois. Depuis, les Roms demeurent parmi les meilleurs trompettistes dans les compétitions. Pourtant, au cours de ces cinquante ans, le festival s’est toujours affirmé et a été conceptualisé comme porteur de la tradition et de la culture folkloriques serbes. Dans mon étude, j’utilise les photographies faites par des visiteurs et disponibles sur l’un des sites web consacrés à Guča, www.guca.rs, pour m’interroger de quelle manière les photographies du festival représentent visuellement les Serbes. Le principal objectif du travail est d’expliquer et de montrer comment le festival de Guča a trouvé sa place dans la Serbie moderne en dépit de sa représentation rurale, folklorique, barbare et quelquefois nationaliste.
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