„Il n’y a pas de remède (à) Galaad“: manières de réaliser la communication culturelle par le livre La Tour sombre de Stephen King
DOI :
https://doi.org/10.21301/eap.v14i4.1Mots-clés :
communication culturelle, Stephen King, La Tour sombre, conte de fée (Propp), littérature anglaise, culture populaire, anthropologieRésumé
Dans cette étude sont analysés trois aspects culturels communicatifs du cycle littéraire La Tour sombre de Stephen King: la tradition littéraire, le genre littéraire et le message. En ce qui concerne les deux premiers aspects, par la formation de la part de l’auteur d’un ensemble textuel, le cycle se rapproche de la forme littéraire du conte de fée ; ensuite, la construction des motifs narratifs fait entrer le cycle en relation avec certaines des œuvres classiques de la littérature anglaise et européenne. L’intention est de transmettre l’idée qu’il faut considérer le cycle littéraire donné comme faisant partie de la littérature anglaise, c’est-à-dire de la tradition littéraire anglaise. La forme du conte de fée a pour fonction de classifier la forme littéraire à l’intérieur de la tradition littéraire donnée. Le troisième aspect par lequel le cycle communique est destiné au contexte social dans lequel il a pris naissance et par lui s’établissent des parallèles entre les états de stabilité et d’instabilité sociales, l’ordre et le chaos, l’unité et la désunion dans les deux principaux mondes dans lesquels se déroule l’action du сycle, le monde véritablement existant et celui du personnage principal. L’objectif est de mettre en exergue la responsabilité de l’individu pour le fonctionnement de la société, étant donné que la société représente une communauté consensuelle des individus.
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