Music as an instrument of making a sociocultural otherness
Keywords:
anthropology,
music,
otherness,
cultural communication,
Western civilization
Abstract
The notion of "music" should be viewed as a synesthetic concept: impressions about it are not transmitted exclusively through the sense of hearing, but also to the visual perception. The effect of music can be seen as intellectual and emotional, as a relation towards the played or pronounced at the lyrics, but also towards the very appearance or performance of the musicians, to the musical piece performing and so on. In other words, we do not only communicate by playing and listening to music, but also understanding it – in terms of cultural and social phenomenon. Those who use the concept of music understood in such a way even do not have to be musicians, because socially and culturally understandable and relevant messages can be transmitted through the simple broadcasting of a certain music audio or video recordings, or by taking a stand towards some musical piece. Music represents a medium to expression of a sociocultural otherness in Western civilization, at least from the Middle Ages, but also represents a way of producing that otherness. By producing of otherness, we mean "discovered", namely, conscious and intended individual acts to the use of music as a synesthetic concept for the purpose of transmitting a cultural message about a certain kind of otherness in a given sociocultural context, and which, for immediate reference, takes the sender of such a message. Our aim is to present a mechanism of that producing of otherness in such a way, by considering examples to different types of musical pieces (Rock and Roll, film music, classical music, etc.), different types of otherness (ontological, political, ethnical, etc.) and different sociocultural contexts from closer and further past, as well as from the present.
References
Baćević, Jana 2008. Romantična veza kao kulturni konstrukt, doktorska disertacija. Biblioteka Odelјenja za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu.
Barnier, Martin. 2010. The Sound of Fear in Recent Spanish Films. Music, Sound and the Moving Image 4 (2): 197-211.
Belletto, Steven. 2008. Cabaret and Antifascist Aesthetics. Criticism 50 (4): 609-630.
Björklund, Jenny. 2016. Playing with Pistols: Female Masculinity in Henrik Ibsen's Hedda Gabler. Scandinavian Studies 88 (1): 1-16.
Bortz, Mark. 2009. "Tomorrow Belongs to Me": An Image of the Dangerous Puer. Jung Journal: Culture & Psyche 3 (4): 69-77.
Boyce, Travis. 2017. Putting Learning into Practice: Integrating Social Media, Crowd Learning, and #ColinKaepernick in an Introductory African American History Class. Radical Teacher. A Socialist, Femminist, and Anti-racist Journal on the Theory and Practice of Teaching 109: 21-28.
Brustein, William I. 2005. Roots of Hate: Anti-Semitism in Europe before the Holocaust. Cambridge/ New York: Cambridge University Press.
Chakravarty, K. Gandhar. 2015. Rastafari Revisited: A Four-Point Orthodox/Secular Typology. Journal of the American Academy of Religion 83 (1): 151-180.
Cicora, Mary A. 1998. Mythology as metaphor: romantic irony, critical theory, and Wagner’s Ring. Wesport, CT: Greenwood Publishing Group.
Cicora, Mary A. 1999. Wagner’s Ring and German drama: comparative studies in mythology and history of drama. Westport, CT: Greenwood Publishing Group.
Cohen, Sara. 2005. Country at the Heart of the City: Music, Heritage, and Regeneration in Liverpool. Ethnomusicology 49 (1): 25-48.
Coopey, Richard. 2011. From corporates and media to state control: International perspectives on the music business. Popular Music History 6 (3): 245-249.
Čvoro, Uroš. 2014. Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia. Burlington, VT: Ashgate Publishing.
Eerola, Tuomas, Henna-Riikka Peltola. 2016. Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences. PLoS ONE 11 (6): e0157444, 29p. doi:10.1371/journal. pone.0157444.
Douglas, Gavin. 2005. Burmese music and the world market. Anthropology Today 21 (6): 5-9.
Dumnić, Marija, Danka Lajić Mihajlović. 2014. Institutionalization of Ethnochoreology in Serbia: The Legacy of Ljubica Janković at the Institute of Musicology SASA. Muzikologija 14 (1): 259-272.
Đurković, Miša. 2002. Ideološki i politički sukobi oko popularne muzike u Srbiji. Filozofija i društvo XXXV: 271-284.
Đurković, Miša. 2013. Rokenrol i nova narodna muzika u Jugoslaviji i Srbiji. Sociološki pregled XXXVII (2): 231-247.
Finn, John C. 2014. Soundtrack of a Nation: Race, Place, and Music in Modern Brazil. Journal of Latin American Geography, 13 (2): 67-95.
Frejzer, Džems Džordž. 1992. Zlatna grana: proučavanje magije i religije, Zemun/ Beograd: Alfa/ Draganić.
Guilbault, Jocelyne. 2006. “On Redefining the 'Local' through World Music”. In Ethnomusicology: A Contemporary Reader, ed. Jennifer C. Post, 137-146. New York: Routledge.
Hagerman, Brent. 2015. Thank you Jah Jah fe give me this a colour: Yellowman’s revalorization of the dundus. Social Identities 21 (6): 529–544.
Hann, C.M. 2003. Creeds, Cultures and the ‘Witchery of Music’. Journal of the Royal Anthropological Institute (N.S.) 9: 223-239.
Hanna, Judith Lynne. 2010. “Dance”. In The Routledge Encyclopedia of Social and Cultural Anthropology, eds. Alan Barnard, Jonathan Spencer, 180-183. London and New York: Routledge.
Herbert, Ruth. 2011. Reconsidering Music and Trance: Cross-cultural Differences and Cross-disciplinary Perspectives. Ethnomusicology Forum 20 (2): 201-227.
Hoeckner, Berthold. 2007. Wagner and the Origin of Evil. Opera Quarterly 23 (2-3): 150-183.
Ibzen, Henrik. 1978. “Heda Gabler”, u Drame, knjiga 2. Sarajevo: Veselin Masleša.
Jerold, Beverly. 2017. Zukunftsmusik/Music of the Future: A Moral Question. Journal of Musicological Research 36 (4): 311-345.
Kaufman Shelemay, Kay. 2006. Music, Memory and History. Ethnomusicology Forum 15 (1): 17-37.
Kotnik, Vlado. 2004. Opera, myth, society: How do they correlate? Trames. A Journal of the Humanities and Social Sciences 8 (3): 309–338.
Leach, Edmund. 1969. Genesis as Myth and Other Essays, London: Cape.
Lič, Edmund. 1983. Kultura i komunikacija. Logika povezivanja simbola. Uvod u primenu strukturalističke analize u socijalnoj antropologiji. Beograd: Prosveta/XX vek.
Lima Santos, Jaqueline. 2016. Hip-hop and the reconfiguration of Blackness in Sao Paulo: the influence of African American political and musical movements in the twentieth century. Social Identities 22 (2): 160–177.
Long, Norman. 2013. The Power of Music. Issues of Agency and Social Practice. Social Analysis 57 (2): 21-40.
McGee, Kristin. 2012. Orientalism and Erotic Multiculturalism in Popular Culture. From Princess Rajah to the Pussycat Dolls. Music, Sound and the Moving Image 6 (2): 209-238.
Meldrum Brown, Hilda. 2014. Richard Wagner and the 'Zurich writings' 1849-51: From Revolution to Ring. Wagner Journal 8 (2): 28-42
Merriam, Alen P. 1964. The Anthropology of Music. Evanston, IL: Northwestern University Press.
Messner, Beth A, Art Jipson, Paul J. Becker and Bryan Byers. 2007. The Hardest Hate: A Sociological Analysis of Country Hate Music. Popular Music and Society 30 (4): 413-531.
Middleton, Richard. 1990. Studying Popular Music. Milton Keynes/ Philadelphia, PA: Open University Press.
Mitrović, Marijana M. 2017. Uloga popularne muzike u konstruisanju rodnih identiteta u postsocijalističkoj Srbiji, doktorska disertacija. Biblioteka Odeljenja za entologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu.
Myers, Fred. 2006. We Are Not Alone: Anthropology in a World of Others. Ethnos 71 (2): 233–264.
Norseng, Mary Kay. 1999. Suicide and Ibsen's Hedda Gabler. Scandinavian Studies 71 (1): 1-40.
Okigbo, Austin C. 2017. South African Music in the History of Epidemics. Journal of Folklore Research 54 (1-2): 87-118.
Peterson, Jason. 2016. “A “Race” for equality: Print media coverage of the 1968 Olympic protest by Tommie Smith and John Carlos”. In From Jack Johnson to LeBron James: Sports, media, and the color line, ed. Chris Lamb, pp. 332–356. Lincoln, NE: University of Nebraska Press.
Peterson, Rebecca J, Martin A. Safer, David A Jobes. 2008. The Impact of Suicidal Rock Music Lyrics on Youth: An Investigation of Individual Differences. Archives of Suicide Research 12 (2): 161-169.
Pogacar, Martin. 2008. Yu-Rock in the 1980s: Between Urban and Rural. Nationalities Papers 36 (5): 815-832.
Rabrenović, Mihajlo. 2008. Amaterizam u kulturi. Beograd: Istraživački centar demokratske stranke.
Raines, David, Tricia Walker. 2008. Poetry for the People: Country Music and American Social Change. Southern Quarterly 45 (2): 44-54.
Rash, Felicity. 2012. Images of the Self and the Other in the Nationalist Writing of Houston Stewart Chamberlain. Studies in Ethnicity & Nationalism 12 (2): 344-362
Rasmussen, Ljerka V. 2002. Newly Composed Folk Music of Yugoslavia. London: Routledge.
Riley, Alexander. 2005. The Rebirth of Tragedy out of the Spirit of Hip Hop: A Cultural Sociology of Gangsta Rap Music. Journal of Youth Studies 8 (3): 297-311.
Small, Christopher. 1998. Musicking: The Meaning of Performing and Listening. Middletown. CT: Wesleyan University Press.
Stasik, Michael. 2017. How to Dance to Beethoven in Freetown The Social, Sonic, and Sensory Organisation of Sounds into Music and Noise. Anthropology Matters Journal 17 (2): 11-27.
Stojanović, Marko. 2006. Značenje i funkcija mitskih toposa u okviru fenomena novokomponovane kulture. Antropologija 1: 34-49.
Stokes, Martin. 2004. Music and the Global Order. Annual Review of Anthropology 33: 47-72.
Stokes, Martin. 2010. “Music”. In The Routledge Encyclopedia of Social and Cultural Anthropology, eds. Alan Barnard, Jonathan Spencer, 488-492. London and New York: Routledge.
Sturz, James. 1989. The Case of Siegfried. Judaism 38 (3): 344-357.
Summers, Tim. 2013. Star Trek and the Musical Depiction of the Alien Other. Music, Sound and the Moving Image 7 (1): 19-52.
Suzanne, Gilles. 2007. The Journey of Rai: Routes and Worlds of Transnational Art in the Mediterranean. History and Anthropology 18 (3): 379-387.
Tapušković, Vasilije. S. A. Amaterizam u kulturi. Projekat Rastko: Istorija srpske kulture, https://www.rastko.rs/isk/isk_30_c.html
Thompson, Joseph. 2012. From Judah to Jamaica: The Psalms in Rastafari Reggae. Religion & the Arts 16 (4): 328-356.
Thresher, Tanya. 2008. “Vinløv i håret”: The Relationship between Women, Language, and Power in Ibsen's “Hedda Gabler”. Modern Drama 51 (1): 73-83.
Veronesi, Daniela, Sergio Pasquandrea. 2014. Doing (things with) sounds: introduction to the special issue. Social Semiotics 24 (4): 369-380.
Voigtländer, Nico, Hans-Joachim Voth. 2015. Nazi indoctrination and anti-Semitic beliefs in Germany. Proceedings of the National Academy of Sciences of the United States of America 112 (26): 7931-7936).
Vuksanović, Divna. 2008. “Kultura i medijske politike u Srbiji: „strabizam“ kao simptom
muzičkog poretka jedne države”. U Kulturna politika u Srbiji, ur. Jovana Papan, Đorđe Vukadinović, 237-244, Beograd: Posebno izdanje Nove srpske političke misli.
Vuletic, Dean. 2011. The making of a Yugoslav popular music industry. Popular Music History 6 (3): 269-285.
Wagner, Richard. 1993. The Art-Work of the Future, and Other Works, Lincoln, NE University of Nebraska Press
Wagner, Richard. 1995a. Art and Politics, Lincoln, NE: University of Nebraska Press.
Wagner, Richard. 1995b. Judaism in Music and Other Essays. Lincoln, NE: University of Nebraska Press.
Whiteley, Sheila, Andy Bennett, and Stan Hawkins. 2004. Music, Space and Place: Popular Music and Cultural Identity. Burlington, VT: Ashgate Publishing.
Winters, Ben. 2008. Corporeality, Musical Heartbeats, and Cinematic Emotion. Music, Sound and the Moving Image 2 (1): 3-25.
Wierzbicka, Anna. 2013. Translatability and the scripting of other peoples’ souls. The Australian Journal of Anthropology 24, 21p. doi:10.1111/taja.12018.
Žikić, Bojan. 1994. Arvo Pärt: savremena muzika drevnosti. Eterna – časopis za savremenu kulturu 1: 72-75.
Žikić, Bojan. 2012a. Popularna kultura: nadkulturna komunikacija. Etnoantropološki problemi 7 (2): 315-341.
Žikić, Bojan. 2012b. Pop pesma: epistolarna forma popularne kulture. Etnoantropološki problemi 7 (2): 487-508.
Barnier, Martin. 2010. The Sound of Fear in Recent Spanish Films. Music, Sound and the Moving Image 4 (2): 197-211.
Belletto, Steven. 2008. Cabaret and Antifascist Aesthetics. Criticism 50 (4): 609-630.
Björklund, Jenny. 2016. Playing with Pistols: Female Masculinity in Henrik Ibsen's Hedda Gabler. Scandinavian Studies 88 (1): 1-16.
Bortz, Mark. 2009. "Tomorrow Belongs to Me": An Image of the Dangerous Puer. Jung Journal: Culture & Psyche 3 (4): 69-77.
Boyce, Travis. 2017. Putting Learning into Practice: Integrating Social Media, Crowd Learning, and #ColinKaepernick in an Introductory African American History Class. Radical Teacher. A Socialist, Femminist, and Anti-racist Journal on the Theory and Practice of Teaching 109: 21-28.
Brustein, William I. 2005. Roots of Hate: Anti-Semitism in Europe before the Holocaust. Cambridge/ New York: Cambridge University Press.
Chakravarty, K. Gandhar. 2015. Rastafari Revisited: A Four-Point Orthodox/Secular Typology. Journal of the American Academy of Religion 83 (1): 151-180.
Cicora, Mary A. 1998. Mythology as metaphor: romantic irony, critical theory, and Wagner’s Ring. Wesport, CT: Greenwood Publishing Group.
Cicora, Mary A. 1999. Wagner’s Ring and German drama: comparative studies in mythology and history of drama. Westport, CT: Greenwood Publishing Group.
Cohen, Sara. 2005. Country at the Heart of the City: Music, Heritage, and Regeneration in Liverpool. Ethnomusicology 49 (1): 25-48.
Coopey, Richard. 2011. From corporates and media to state control: International perspectives on the music business. Popular Music History 6 (3): 245-249.
Čvoro, Uroš. 2014. Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia. Burlington, VT: Ashgate Publishing.
Eerola, Tuomas, Henna-Riikka Peltola. 2016. Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences. PLoS ONE 11 (6): e0157444, 29p. doi:10.1371/journal. pone.0157444.
Douglas, Gavin. 2005. Burmese music and the world market. Anthropology Today 21 (6): 5-9.
Dumnić, Marija, Danka Lajić Mihajlović. 2014. Institutionalization of Ethnochoreology in Serbia: The Legacy of Ljubica Janković at the Institute of Musicology SASA. Muzikologija 14 (1): 259-272.
Đurković, Miša. 2002. Ideološki i politički sukobi oko popularne muzike u Srbiji. Filozofija i društvo XXXV: 271-284.
Đurković, Miša. 2013. Rokenrol i nova narodna muzika u Jugoslaviji i Srbiji. Sociološki pregled XXXVII (2): 231-247.
Finn, John C. 2014. Soundtrack of a Nation: Race, Place, and Music in Modern Brazil. Journal of Latin American Geography, 13 (2): 67-95.
Frejzer, Džems Džordž. 1992. Zlatna grana: proučavanje magije i religije, Zemun/ Beograd: Alfa/ Draganić.
Guilbault, Jocelyne. 2006. “On Redefining the 'Local' through World Music”. In Ethnomusicology: A Contemporary Reader, ed. Jennifer C. Post, 137-146. New York: Routledge.
Hagerman, Brent. 2015. Thank you Jah Jah fe give me this a colour: Yellowman’s revalorization of the dundus. Social Identities 21 (6): 529–544.
Hann, C.M. 2003. Creeds, Cultures and the ‘Witchery of Music’. Journal of the Royal Anthropological Institute (N.S.) 9: 223-239.
Hanna, Judith Lynne. 2010. “Dance”. In The Routledge Encyclopedia of Social and Cultural Anthropology, eds. Alan Barnard, Jonathan Spencer, 180-183. London and New York: Routledge.
Herbert, Ruth. 2011. Reconsidering Music and Trance: Cross-cultural Differences and Cross-disciplinary Perspectives. Ethnomusicology Forum 20 (2): 201-227.
Hoeckner, Berthold. 2007. Wagner and the Origin of Evil. Opera Quarterly 23 (2-3): 150-183.
Ibzen, Henrik. 1978. “Heda Gabler”, u Drame, knjiga 2. Sarajevo: Veselin Masleša.
Jerold, Beverly. 2017. Zukunftsmusik/Music of the Future: A Moral Question. Journal of Musicological Research 36 (4): 311-345.
Kaufman Shelemay, Kay. 2006. Music, Memory and History. Ethnomusicology Forum 15 (1): 17-37.
Kotnik, Vlado. 2004. Opera, myth, society: How do they correlate? Trames. A Journal of the Humanities and Social Sciences 8 (3): 309–338.
Leach, Edmund. 1969. Genesis as Myth and Other Essays, London: Cape.
Lič, Edmund. 1983. Kultura i komunikacija. Logika povezivanja simbola. Uvod u primenu strukturalističke analize u socijalnoj antropologiji. Beograd: Prosveta/XX vek.
Lima Santos, Jaqueline. 2016. Hip-hop and the reconfiguration of Blackness in Sao Paulo: the influence of African American political and musical movements in the twentieth century. Social Identities 22 (2): 160–177.
Long, Norman. 2013. The Power of Music. Issues of Agency and Social Practice. Social Analysis 57 (2): 21-40.
McGee, Kristin. 2012. Orientalism and Erotic Multiculturalism in Popular Culture. From Princess Rajah to the Pussycat Dolls. Music, Sound and the Moving Image 6 (2): 209-238.
Meldrum Brown, Hilda. 2014. Richard Wagner and the 'Zurich writings' 1849-51: From Revolution to Ring. Wagner Journal 8 (2): 28-42
Merriam, Alen P. 1964. The Anthropology of Music. Evanston, IL: Northwestern University Press.
Messner, Beth A, Art Jipson, Paul J. Becker and Bryan Byers. 2007. The Hardest Hate: A Sociological Analysis of Country Hate Music. Popular Music and Society 30 (4): 413-531.
Middleton, Richard. 1990. Studying Popular Music. Milton Keynes/ Philadelphia, PA: Open University Press.
Mitrović, Marijana M. 2017. Uloga popularne muzike u konstruisanju rodnih identiteta u postsocijalističkoj Srbiji, doktorska disertacija. Biblioteka Odeljenja za entologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu.
Myers, Fred. 2006. We Are Not Alone: Anthropology in a World of Others. Ethnos 71 (2): 233–264.
Norseng, Mary Kay. 1999. Suicide and Ibsen's Hedda Gabler. Scandinavian Studies 71 (1): 1-40.
Okigbo, Austin C. 2017. South African Music in the History of Epidemics. Journal of Folklore Research 54 (1-2): 87-118.
Peterson, Jason. 2016. “A “Race” for equality: Print media coverage of the 1968 Olympic protest by Tommie Smith and John Carlos”. In From Jack Johnson to LeBron James: Sports, media, and the color line, ed. Chris Lamb, pp. 332–356. Lincoln, NE: University of Nebraska Press.
Peterson, Rebecca J, Martin A. Safer, David A Jobes. 2008. The Impact of Suicidal Rock Music Lyrics on Youth: An Investigation of Individual Differences. Archives of Suicide Research 12 (2): 161-169.
Pogacar, Martin. 2008. Yu-Rock in the 1980s: Between Urban and Rural. Nationalities Papers 36 (5): 815-832.
Rabrenović, Mihajlo. 2008. Amaterizam u kulturi. Beograd: Istraživački centar demokratske stranke.
Raines, David, Tricia Walker. 2008. Poetry for the People: Country Music and American Social Change. Southern Quarterly 45 (2): 44-54.
Rash, Felicity. 2012. Images of the Self and the Other in the Nationalist Writing of Houston Stewart Chamberlain. Studies in Ethnicity & Nationalism 12 (2): 344-362
Rasmussen, Ljerka V. 2002. Newly Composed Folk Music of Yugoslavia. London: Routledge.
Riley, Alexander. 2005. The Rebirth of Tragedy out of the Spirit of Hip Hop: A Cultural Sociology of Gangsta Rap Music. Journal of Youth Studies 8 (3): 297-311.
Small, Christopher. 1998. Musicking: The Meaning of Performing and Listening. Middletown. CT: Wesleyan University Press.
Stasik, Michael. 2017. How to Dance to Beethoven in Freetown The Social, Sonic, and Sensory Organisation of Sounds into Music and Noise. Anthropology Matters Journal 17 (2): 11-27.
Stojanović, Marko. 2006. Značenje i funkcija mitskih toposa u okviru fenomena novokomponovane kulture. Antropologija 1: 34-49.
Stokes, Martin. 2004. Music and the Global Order. Annual Review of Anthropology 33: 47-72.
Stokes, Martin. 2010. “Music”. In The Routledge Encyclopedia of Social and Cultural Anthropology, eds. Alan Barnard, Jonathan Spencer, 488-492. London and New York: Routledge.
Sturz, James. 1989. The Case of Siegfried. Judaism 38 (3): 344-357.
Summers, Tim. 2013. Star Trek and the Musical Depiction of the Alien Other. Music, Sound and the Moving Image 7 (1): 19-52.
Suzanne, Gilles. 2007. The Journey of Rai: Routes and Worlds of Transnational Art in the Mediterranean. History and Anthropology 18 (3): 379-387.
Tapušković, Vasilije. S. A. Amaterizam u kulturi. Projekat Rastko: Istorija srpske kulture, https://www.rastko.rs/isk/isk_30_c.html
Thompson, Joseph. 2012. From Judah to Jamaica: The Psalms in Rastafari Reggae. Religion & the Arts 16 (4): 328-356.
Thresher, Tanya. 2008. “Vinløv i håret”: The Relationship between Women, Language, and Power in Ibsen's “Hedda Gabler”. Modern Drama 51 (1): 73-83.
Veronesi, Daniela, Sergio Pasquandrea. 2014. Doing (things with) sounds: introduction to the special issue. Social Semiotics 24 (4): 369-380.
Voigtländer, Nico, Hans-Joachim Voth. 2015. Nazi indoctrination and anti-Semitic beliefs in Germany. Proceedings of the National Academy of Sciences of the United States of America 112 (26): 7931-7936).
Vuksanović, Divna. 2008. “Kultura i medijske politike u Srbiji: „strabizam“ kao simptom
muzičkog poretka jedne države”. U Kulturna politika u Srbiji, ur. Jovana Papan, Đorđe Vukadinović, 237-244, Beograd: Posebno izdanje Nove srpske političke misli.
Vuletic, Dean. 2011. The making of a Yugoslav popular music industry. Popular Music History 6 (3): 269-285.
Wagner, Richard. 1993. The Art-Work of the Future, and Other Works, Lincoln, NE University of Nebraska Press
Wagner, Richard. 1995a. Art and Politics, Lincoln, NE: University of Nebraska Press.
Wagner, Richard. 1995b. Judaism in Music and Other Essays. Lincoln, NE: University of Nebraska Press.
Whiteley, Sheila, Andy Bennett, and Stan Hawkins. 2004. Music, Space and Place: Popular Music and Cultural Identity. Burlington, VT: Ashgate Publishing.
Winters, Ben. 2008. Corporeality, Musical Heartbeats, and Cinematic Emotion. Music, Sound and the Moving Image 2 (1): 3-25.
Wierzbicka, Anna. 2013. Translatability and the scripting of other peoples’ souls. The Australian Journal of Anthropology 24, 21p. doi:10.1111/taja.12018.
Žikić, Bojan. 1994. Arvo Pärt: savremena muzika drevnosti. Eterna – časopis za savremenu kulturu 1: 72-75.
Žikić, Bojan. 2012a. Popularna kultura: nadkulturna komunikacija. Etnoantropološki problemi 7 (2): 315-341.
Žikić, Bojan. 2012b. Pop pesma: epistolarna forma popularne kulture. Etnoantropološki problemi 7 (2): 487-508.
Published
2018-07-31
Section
Thematic Issue
License
All articles in Issues in Ethnology and Anthropology are published under the terms of the Creative Commons Attribution License 3.0 Serbia (CC BY), which allows authors and users to copy, distribute, transmit and adapt the article.
The CC BY license permits non-commercial and commercial re-use of an open access article, as long as the author is properly attributed.
Copyright on any research article published by Issues in Ethnology and Anthropology is retained by the author(s).
Authors grant to the Issues in Ethnology and Anthropology the right to publish the article, to be cited as its original publisher in case of reuse, and to distribute it in all forms and media. Copyright and source must be acknowledged and a link must be made to the article's DOI.
DOAJ - Directory of Open Access Journals
ROAD - Directory of Open Access Scholarly Resources
World Cat 
AnthroSerbia
