Radio „na oblaku“: novi autorski pristupi u kreiranju internet radija
DOI:
https://doi.org/10.21301/eap.v14i1.4Ključne reči:
internet radio, podkast, publika, prodjuzeri, novi amateriApstrakt
Tehnološki razvoj, a utom i tehnološka revolucija u trajanju, inicirali su promene medijskog okruženja i njegovih karakteristika, te naših navika u konzumiranju i recepciji sadržaja – od prenosa i plasiranja informacija, preko čitanja vesti, gledanja TV programa, do slušanja muzike. Ovaj rad pokušaće da pruži osnovni uvid u promene koje je donela digitalizacija, fokusirajući se posebno na radio i njegovo preseljenje „iz vazduha“ na „mrežu“. Istražujući fenomene povezane s izlaskom radija iz analognih okvira, poput „podkasta“ (podcast), „klauda” (cloud) i „striminga“ (streaming) koji čine digitalnu infrastrukturu internet radija, rad stavlja akcenat na izmenjenu ulogu publike koja od „pasivnih recipijenata“, postaje mreža aktivnih „stvaralaca-potrošača“ (prosumers) odnosno stvaralaca-korisnika (produsers). U spletu društvenih odnosa i potrošačkih praksi izdvajaju se „novi amateri“, amalgami publike i fanova-kreatora koji danas imaju mogućnost da radio program, uz navedene alatke, „urade sami“ (DIY). Oni zamagljuju granice „tradicionalne” podele poslova između „stvaralaca“ i „potrošača“ radija, te odnose između profesionalaca – etabliranih „radijskih zvezda“ i početnika, izmičući okvirima kontrolisane proizvodnje i podstičući aktivan proces stvaranja kulture odozdo. Osim što će ponuditi analizu pomenutih fenomena, ovaj rad razmatraće i da li je konvergencijom radio izmenio svoje karakteristike i znakom „PLAY” na ekranu ukazao da može (ponovo) da počne.
##plugins.generic.usageStats.downloads##
Reference
Ahern, Steve. 2011. „Radio 2.0 in the Digital Age“. In Making Radio: Apractical Guide to Working in Radio in The Digital Age, (ed.) Steve Ahern, 48-57. Crows Nest: Allen & Unwin.
Ajduk, Marija. 2018. Razumevanje, stvaranje i slušanje muzike na internet sajtu YouTube: slučaj hora Viva Vox. Etnoantropološki problemi 13 (2): 395-413.
Benkler, Yochai. 2006. The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press.
Berry, Richard. 2006. Will the IPod Kill the Radio Star? Profiling Podcasting as Radio. Convergence 12 (2): 143–162.
Berry, Richard. 2015. A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast Histories. Journal of Radio& Audio Media 22 (2): 170-178.
Bessire, Lucas and Daniel Fisher. 2012. Introduction. In Radio Fields. Anthropology and Wireless Sound in the 21st Century, (eds.) Lucas Bessire and Daniel Fisher, 1-47. New York: New York University Press.
Bonnini, Tiziano. 2012. „Doing Radio in the Age of Facebook“. In Radio Evolution: Conference Proceedings, (eds.) Madalena Oliveira, Pedro Portela, Luís António Santos, 17-26. University of Minho: Communication and Society Research Centre.
Bourdieu, Pierre. 1986. „The Forms of Capital“. In Handbook of Theory and Research for the Sociology of Education, J. Richardson (ed.), 241-258. New York: Greenwood.
Bruns, Axel. 2013. „From Prosumption to Produsage“. In Handbook on the Digital Creative Economy, (eds.) Ruth Towse & Christian Handke, 67-78. Cheltenham: Edward Elgar.
Burkart, Patrick and Tom McCourt. 2006. Digital Music Wars: Ownership and Control of the Celestial Jukebox. Lanham: Rowman & Littlefield.
Castells, Manuel. 1999. Grassrooting the space of flows. Urban Geography 20 (4): 294-302.
Castells, Manuel. 2000. Uspon umreženog društva. Informacijsko doba: ekonomija, društvo i kultura. Zagreb: Golden Marketing.
Castells, Manuel. 2000. Toward a Sociology of the Network Society. Contemporary Sociology, 29 (5): 693-699.
Deschênes, Bruno. 1998. Toward an Anthropology of Music Listening. International Review of the Aesthetics and Sociology of Music 29 (2): 135-153.
Drašković, Brankica i Jelena Kleut. 2012. Televizijska publika u digitalnoj eri: istraživačke perspektive. Kultura 135: 217-232.
Dubber, Andrew. 2013. Radio in the Digital Age. Cambridge: Polity Press.
Đorđević, Jelena. 2009. Postkultura. Beograd: Clio.
Fronzi, Giacomo. 2016. Listening to Music in the Digital Era. Aisthesis 9 (1): 51-69.
Gavrilović, Ljiljana. 2012. Fan-fiction i kolektivna kreativnost. Treći program 154: 199-209.
Hilmes, Michele. 2013. „The New Materiality of Radio: Sound on Screens“. In Radio’s New Wave, (eds.) Michele Hilmesand Jason Loviglio, 43-61. New York: Routledge.
Hromadžić, Hajrudin i Helena Popović. 2010. Aktivne medijske publike: razvoj koncepta i savremeni trendovi njihovih manifestacija. Medijska istraživanja 16 (1): 97-111.
Hyatt, Verrill. 1922. Radio for amateurs; how to use, make and install wireless telephone and telegraph instruments. New York: Dodd, Mead and Co. Dostupno na: https://babel.hathitrust.org/cgi/pt?id=nyp.33433020461848%3Bview&fbclid=IwAR30NiQltDT8-u1ZTVBaCHydXSbyELl-1ZhG49FbSagYi8flSgCPA41W7Rg (Pristupljeno: 20.11.2018)
Jenkins, Henry. 2006. Convergence Culture: Where Old and New Media Collide. New York: NYU Press.
Jenkins, Henry and Mark Deuze. 2008. Editorial. Convergence Culture. The International Journal of Research into New Media Technologies 14(1): 5–12
Livingston, Sonia. 2015. New Media, New Audiences? New Media and Society 1 (1): 59-66.
Martinoli, Ana. 2015. Podcasting – govorni radio “za poneti” kao nova omiljena medijska forma. Medijski dijalozi 21 (8): 149-168.
Martinoli, Ana. 2016. Digitalna medijska publika – nova očekivanja, nove navike. In Medias Res 5 (8): 1269-1284.
Menduni, Enrico. 2007. Four steps in innovative radio broadcasting: From QuickTime to podcasting. The Radio Journal—International Studies in Broadcast and Audio Media 5: 9-18.
Meneses, João Paulo. 2012. About Pandora and other streaming music services: the new active consumer on radio. Observatorio (OBS*) Journal 6 (1):235-257.
Miller, Daniel et al. 2016. How the World Changed Social Media. London: UCL Press.
Mollgaard, Matt. 2012. Introduction. In Radio and Society: New Thinking for an Old Medium, (ed.) Matt Mollgaard, viii-xiii. Cambridge: Cambridge Scholars Publishing.
Morris, Jeremy. 2011. Sounds in the cloud: Cloud computing and the digital music commodity. First Monday Volume 16 (5). Dostupno na: https://journals.uic.edu/ojs/index.php/fm/article/view/3391/2917 (Pristupljeno: 14.12.2018.)
Nikolić, Mirjana. 2012. „Radio u novim tehnološkim uslovima – inflacija produkcije i deflacija kvaliteta“. U Radio-difuzija u Srbiji – sadašnjost i budućnost, (ur.) Rade Veljanovski, 11-24. Beograd: Fakultet političkih nauka.
O’Railly, Tim. 2009. What is web 2.0? Design patterns and business models for the next generation of software’, O’Reilly Media. Dostupno na: http://oreilly.com/web2/archive/what-is-web-20.html (pristupljeno: 18.11.2018.)
Prior, Nick. 2010. „The Rise of the New Amateurs: Popular Music, Digital Technology and the Fate of Cultural Production”. In Handbook of Cultural Sociology, (eds.) JR Hall, L Grindstaff & M Lo, 398-407. London: Routledge.
Radivojević, Sonja. 2017. Digitalni nomadizam: rad, tehnologija i pokretljivost u postindustrijskom društvu Srbije. Master rad, Filozofski fakultet
Samuels, David W., Louise Meintjes, Ana Maria Ochoa and Thomas Porcello. 2010. Soundscapes: Toward a Sounded Anthropology. Annual Review of Anthropology 39 (1): 329-345.
Schafer, Murray. 1993. The Soundscape: Our Sonic Environment and the Tuning of the World. Merrimac: Destiny Books.
Simsek, Ali and Simsek, Eylem. 2013. New Literacies for Digital Citizenship. Contemporary educational technology 4 (2): 126-137.
Spitulnik, Debra. 1993. Anthropology and Mass Media. Annual Review of Anthropology 22: 293-315.
Svensen, Laš. 2012. Filozofija rada. Beograd: Geopoetika.
Šingler, Martin i Sindi Viringa. 2002. Radio. Beograd: Clio.
Tacchi, Jo. 1997. Radio Sound as Material Culture in the Home. PhD, London, UCL.
Tacchi, Jo. 2001. „Radio texture: between self and others“. In Why Some Things Matter, (ed.) Daniel Miler, 25-46. London: UCL Press.
Taylor, Timothy. 2002. Music and the Rise of Radio in 1920s America: technological imperialism, socialization, and the transformation of intimacy. Historical Journal of Film, Radio and Television 22 (4): 425-443.
Toffler, Alvin. 1980. The third wave. New York: William Morrow.
Vasović, Sanela. 2010. “Dobre vibracije”: svakodnevna potrošnja radijskog zvuka B92 tokom ‘90-ih godina u Beogradu. Diplomski rad Filozofski fakultet u Beogradu.
Žakula, Sonja. 2012. Da li kiborzi sanjaju biomehaničke ovce. Telo i hiperrealnost. Antropologija 12 (2): 43-61.
Žikić, Bojan. 2010. Antropološko proučavanje popularne kulture. Etnoantropološki problemi 5 (2): 17 - 39.
Žikić, Bojan. 2012. Popularna kultura: nadkulturna komunikacija. Etnoantropološki problemi 7 (2): 315-341.
Izvori
Colins Dictionary. 2019. https://www.collinsdictionary.com/dictionary/english Pristupljeno: 5.1.2019.
Đolović, Svetlana. 2014. Listomanija. http://listopmanija.blogspot.com/ Pristupljeno: 19.2.2019.
Modli, Zoran. 2003. „Moj privatni radio“ https://www.modli.rs/radio/moj_radio/moj_radio.html Pristupljeno: 20.11.2018.
Pareles, John. 2002. „David Bowie, 21st-Century Entrepreneur“. New York Times June 9. https://www.nytimes.com/2002/06/09/arts/david-bowie-21st-century-entrepreneur.html Pristupljeno: 29.12.2018.
UN Women. 2012. Community radio. http://www.endvawnow.org/en/articles/1270-community-radio.html Pristupljeno: 12.1.2018.
Watson, Stephanie. 2005. „How Podcasting Works“. HowStuffWorks. 20. Februar https://computer.howstuffworks.com/internet/basics/podcasting4.htm Pristupljeno: 7.10.2018.
##submission.downloads##
Objavljeno
Kako citirati
Broj časopisa
Sekcija
Licenca
Sva prava zadržana (c) 2019 Ana Dajić, Sonja Radivojević

Ovaj rad je pod Creative Commons Autorstvo-Deli pod istim uslovima 4.0 Internacionalna licenca.


