Imati sve i nemati sebe

Analiza predstava sreće i očajanja u filmu Sreća

Autori

  • Ilić Vladimira Institut za etnologiju i antropologiju, Filozofski fakultet Univerziteta u Beogradu

DOI:

https://doi.org/10.21301/eap.v12i2.3

Ključne reči:

film; sreća; „imati sve”; očajanje; usamljenost; SAD

Apstrakt

Na filmskom primeru Sreća (1998) analizirane su kulturne pretpostavke na kojima je zasnovana (de)konstrukcija srećne američke porodice i srećnih pojedinaca koji „imaju sve“, kao i rediteljevo refleksivno zamišljanje očajanja svakog pojedinačnog lika u filmu, čija je pojava utemeljena u kulturnim stavovima pojedinaca, a koje se pojavljuje kao prepreka za uspostavljanje bliskosti s drugim ljudim te i za dosezanje sreće. Stoga se ovim istraživanjem nastoji razumeti filmsko kreiranje mehanizma kojim kultura paradoksalno postaje „samoj sebi prepreka“, tj. način na koji kulturno uslovljeni stavovi o sebi, drugima i okruženju čine prepreku za ostvarivanje pojedinih kulturno determinisanih ciljeva i svrha života.

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Izvori

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Happiness (1924). Režija: King Vidor. Produkcija: Metro Pictures Corporation. IMDB: http://www.imdb.com/title/tt0014968/?ref_=nv_sr_1 [poslednji pristup: 09.05.2017]

Happiness (1998). Režija: Todd Solondz. Produkcija: Good Machine, Killer Films.

Life During the Wartime (2009). Režija: Todd Solondz. Produkcija: Werc Werk Works.

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Objavljeno

2017-08-09