(Anti)fašizam i superherojski strip: antropološko razmatranje inovativnosti u stripu na primeru V kao Vendeta
DOI:
https://doi.org/10.21301/eap.v15i4.5Ključne reči:
Alan Mur, fašizam, anarhizam, kreativnost/inovativnost, dekonstrukcija/revizija, žanr superherojskog stripa, intertekstualnostApstrakt
Rad se bavi analizom stripa „V kao Vendeta“ dvojice autora, scenariste Alana Mura i crtača Dejvida Lojda. Radi se o narativno-grafičkom delu koje po svojim glavnim karakteristikama pripada književnom žanru kritičke distopije, ali se dovodi u vezu i sa žanrom superherojskog stripa koji je, po mišljenju jednog broja autora, neraskidivo povezan s ideologijom i praksom političke desnice, koja u svom ekstremnom vidu poprima oblik fašizma. Način tretiranja elementa fašizma u tom, kao i u druga dva stripa o kojima će u radu biti reči („Nadzirači“ Alana Mura i Dejva Gibonsa i „Povratak mračnog viteza“ Frenka Milera), dovodi se u vezu sa načinom na koji je proces kreativnosti/inovativnosti funkcionisao u kontekstu revizije/dekonstrukcije žanra superherojskog stripa u osamdesetim godinama 20. veka, kako na kolektivnom, tako i na individualnom planu na nivou strukture mišljenja britanskog pisca Alana Mura. Putem primene strukturalno-semiotičkog modela analize, rad nastoji da pronikne u logiku naznačenog dekonstruktivističkog postupka „rasparčanog“ na tri stripska predloška o kojima će u radu biti reči, s akcentom na analizi stripa „V kao Vendeta“ koja ima za cilj da utvrdi njegovu „skrivenu“, konotativnu značenjsku dimenziju. U istraživanju se usvaja moderno stanoviše u shvatanju stripa prema kojem se suština tog medija, ono po čemu se on razlikuje od drugih narativnih i grafičkih formi izražavanja kao i od filma, prepoznaje u specifičnom, sekvencijalnom načinu kombinovanja njegove vizuelne i narativne komponente, putem kojeg se generišu značenja čije tumačenje zavisi od intencije autora ali i od pogleda čitaoca.
##plugins.generic.usageStats.downloads##
Reference
Anol, Joshua. 2018. „A Closer Look at V: What’s V’s ‘Anarchy’ and Did He Manage to Complete his
Mission of an ‘Anarchic’ Society in the Work V for Vendetta“. Dostupno na: https://www.researchgate.net/publication/324866120_A_Closer_Look_at_V_What_is_V's_Anarchy_and_Did_He_Manage_to_Complete_His_Mission_of_An_Anarchic_Society_in_the_Work_V_for_Vendetta
Bukač, Zdravko. 2018. Analiza diskursa različitosti u američkoj popularnoj kulturi na primjeru stripova o superjunacima. Doktorski rad. Sveučilište u Zadru, Poslijediplomski sveučilišni studij humanističke znanosti.
Borhert, Karlhajnc. 1992. „Marvel – promena posle 20 godina?“. Gradina 2: 35-47.
Barthes, Roland. 1968. Elements of Semiology. New York: Hill & Wang.
Banjanin, Dušan. 2017. „Jedna onovremenska priča“. Strip Pressing – magazin za devetu umetnost 17: 30-31.
Berninger, Mark, Jochen Ecke & Gideon Haberkorn. 2010. Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines and International Perspectives (Critical Explorations in Science Fiction and Fantasy). Jefferson, North Carolina, and London: McFarland & Company Inc. Publishers.
Baccolini, Raffaela & Tom Moylan. 2003. „Dystopias and Histories“. In Dark Horizons: Science Fiction and the Dystopian Imagination, edited by Raffaela Baccolini and Tom Moylan, 1-12. New York: Routledge.
Bjørkan, Kristian. 2013. Bright and Colorful Masks. Assesing the Literary Potential of the Superhero Genre. Master’s Thesis. University of Oslo.
Baccolini, Raffaella. Tom Moylan (eds). 2003. „Introduction: Dystopia and Histories“. In Dark Horizons: Science Fiction and the Dystopian Imagination, edited by Raffaella Baccolini and Tom Moylan, 1-12, New York: Routledge.
Call, Lewis. 2008. „A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism“. Anarchist Studies 16 (2):154-172.
Croci, Daniele. 2016. The end will be the over-man”: Utopia and dystopia between scientific romance and graphic novel. Phd Thesis. Milano: Universita Degli Studi di Milano.
Comer, Todd. 2017. „Body Politics: Unearthing an Embodied Ethics in V for Vendetta“. In Sexual Ideology in the Works of Alan Moore, edited by Todd A. Comer & Joseph Michael Sommers, 100-111. Jefferson: McFarland & Company. http://dx.doi.org/10.17613/M6PG9K
Coogan, Peter. 2006. Superhero: The Secret Origin of a Genre. Austin: MonkeyBrain Books.
D’Andrade, Roy. 1995. The development of cognitive anthropology. Cambridge: Cambridge University Press.
Denijels, Les. 1992. „Moćni Marvel“. Gradina 2: 16-30.
Di Liddo, Annalisa. 2009. Alan Moore: Comics as Performance, Fiction as Scalpel. Jackson: University Press of Mississipi.
Davis, Blair. 2017. „Beyond Watchmen“. Cinema Journal 56 (2): 114-150.
Đorđević, Ivan. 2009. Antropologija naučne fantastike: tradicija u žanrovskoj književnosti. Beograd: Etnografski institut SANU.
Đukić, Bojan M. 1988. „Ne-evropska priroda britanskog stripa“. Cepelin 2: 29-31.
Eisner, William. 1985/2008. Comics and Sequential Art. New York/London: W. W. Norton & Company.
Eisner, William. 1996/2008. Graphic Storytelling and Visual Narrative. New York/London: W. W. Norrton & Company.
Eisner, William. 2008. Expressive Anatomy for Comics and Narrative. New York/London: W. W. Norton & Company.
Eco, Umberto. 2004. „The Myth of Superman“. In Arguing Comics – Literary Masters on a Popular Medium, edited by Jeet Heer & Kent Worcester, 146-164. Jackson: University Press of Mississipi. Favaro, Marco. 2019a. „Stan Lee Revolution: Marvel’s superheroes as an anticipation of the Dark
Age antiheroes“. Canoas 42: 47-54.
Favaro, Marco. 2019b. „Superheroes and Anti-Heroes in Comics and Graphic novel“. 10th Annual International Graphic Novel and Comics Conference. Manchester Metropolitan University. Dostupno na: https://www.researchgate.net/publication/334458588_Superheroes_and_Anti- Heroes_in_Comics_and_Graphic_novel
Gray, Maggie. 2010. „’A Fistful of Dead Roses…’. Comics as Cultural Resistance: Alan Moore and David Lloyd’s V for Vendetta“. Journal of Graphic Novels and Comics 1 (1): 31–
doi:10.1080/21504851003798579
Gorunović, Gordana. 2010. „Književni zaokret i etnografsko pisanje u američkoj kulturnoj antropologiji“. Antropologija 10 (2): 65-96.
Green, Matthew J. A. (ed.) 2013. Alan Moore and the Gothic Tradition. Manchester: Manchester University Press.
Gaio, Valentina. 2017. Power Structures in V for Vendetta. Master’s Thesis. Ca’ Foscari University of Venice.
Grantham, Michael. 2010. The Paradoxical Protagonist in Speculative Fiction. PhD Thesis. Perth: University of Western Australia.
Ganev, Venelin. 2017. „’Neoliberalism is Fascism and Should be Criminalized’: Bulgarian Populism as Left-Wing Radicalism“. Slavic Review 76 (1): 9-18.
Hall, Stuart. 1997. „The Work of Representation“. In Representation: Cultural Representations and Sygnifying Practise, edited by Stuart Hall, 13-71. New York: Sage Publications.
Hoberek, Andrew. 2014. Considering Watchmen: Poetics, Property, Politics (Comics Culture). New Brunswick, New Jersey: Rutgers University Press.
Jakovljević, Mladen M. 2012. „Heterotopija u Pinčonovim romanima V. i Duga gravitacije“. U Zbornik za jezike i književnosti Filozofskog fakulteta u Novom Sadu 2, 375-387. DOI 10.19090/zjik.2012.2.375-387
Kinneavy, James L. 1971. A Theory o f Discourse. New York: W. W. Norton.
Køhlert, Frederik Byrn & Ole Birk Laursen. 2017. „Comics and the Anarchist Imagination“. SubStance 46 (2): 3-10.
Kovačević, Ivan. 2001. Semiologija mita i rituala 2 – Savremeno društvo. Beograd: Odeljenje za etnologiju i antropologiju Filozofskog fakulteta – Srpski genealoški centar.
Kembel, Džozef. 2018. Heroj sa hiljadu lica. Beograd: Zlatno runo.
Klock, Geoff. 2002. How to Read Superhero Comics and Why. New York: Continuum.
Levi-Stros, Klod. 1966. Divlja misao. Beograd: Nolit.
Little, Ben. 2011. Comic books, politics and readers: the influence of the 2000AD group of comics creators on the formation of Anglo-American comics culture. PhD thesis. London: Middlesex University.
Levenstein, Charles, Carlos Eduardo Siqueira & Craig Slatin. 2017. „From Neoliberalism to Neofascism“. New Solutions: A Journal of Environmental and Occupational Health Policy 27 (2): 1-6. https://doi.org/10.1177/1048291117713503
Luoma-aho, Mika Tapio. 2014. „‘Become Transfigured Forever’: Political Transedence in Alan Mooore and David Lloyd’s V for Vendetta“. Radical Orthodoxy: Theology, Philosophy, Politics 2 (2): 244-271.
McCloud, Scott. 1993. Understanding Comics: The Invisible Art. New York: William Morrow Paperbacks.
Morrison, Grant. 2011. Supergods: What Masked Vigilantes, Miraculous Mutants and a Sun God from Smallville Can Teach Us about Being Human. New York: Spiegel & Grau.
Moore, Alan. 1983. „Behind the Painted Smile“. In V for Vendetta. Alan Moore & David Lloyd, 267 - 276. Burbank: DC Comics.
Moore, Alan. 2003. On Writing for Comics. Illinois: Avatar Press.
Moore, Alan & Dave Gibbons.1986. Watchmen. New York: DC Comics.
Mur, Alan. 2017. „Uvod“. U Instrumenti nasilja. Nil Gejmen i Dejv Mekin. Str. 50. Beograd: Makondo.
Murray, Christopher. 2010. „Signals from Airstrip One: The British Invasion of Mainstream American Comics“. In The Rise of the American Comics Artist: Creators and Contexts, edited by Paul Williams and James Lyons, 31–45. Jackson: University Press of Mississippi.
Miettinen, Mervi. 2011. Superhero Comics and the Popular Geopolitics of American Identity. PhD Thesis. Tampere: University of Tampere.
Mihaljević, Damirka. Marko Šiljić. 2015. „Tačerizam – politička koncepcija uvjerenja“. HUM X 14: 105-125.
Milenković, Miloš. 2006. „Šta je (bila) antropološka ’refleksivnost’? Metodološka formalizacija“. Etnoantropološki problemi 1 (2): 157-184. https://doi.org/10.21301/eap.v1i2.9
Miltojević, Branislav. 1992. „Mitologija dvadesetog veka: marvelovski monomit“. Gradina 2: 9-15.
Naumović, Slobodan. 2009. Upotreba tradicije u političkom i javnom životu Srbije na kraju dvadesetog i početkom dvadeset prvog veka. Beograd: Institut za filozofiju i društvenu teoriju IP „Filip Višnjić“.
Nikolić, Radivoj. 1980. „Tradicionalni i savremeni anarhizam“. Politička misao 3: 256-279.
Ott, Brian L. 2010. „The Visceral Politics of V for Vendetta: On Political Affect in Cinema“. Critical Studies in Media Communication 27 (1): 39-54.
Putnik, Noel. 2019. Između Hermesa i Hrista. Srednji put Kornelija Agripe. Beograd: Službeni glasnik.
Patel, Rajeev & Philip McMichael. 2004. „Third Worldism and the Lineages of Global Fascism: The Regrouping of the Global South in the Neoliberal Era“. Third World Quarterly 25 (1): 231-254.
Pellitteri, Marco. 2011. „Alan Moore, Watchmen and some notes in the ideology of superhero comics“. Studies in Comics 2 (1): 81-91.
Pavković, Vasa. 2001. Slatki strip. Beograd: Narodnja knjiga Alfa.
Petrović, Sofija. 2017. Razvoj antiheroja od egzistencijalističkog pozorišta do teatra apsurda (Žan-Pol Sartr, Alber Kami, Samjel Beket i Ežen Jonesko). Doktorska disertacija. Beograd: Filološki fakultet Unverziteta u Beogradu.
Rose, Gillian. 2001. „Discourse Analysis I: Text, Intertextuality, Context'“. In Visual Methodologies: An Introduction to the Interpretation of Visual Materials, edited by Gillian Rose, 141-171. New York: Sage Publication.
Rosenkranz, Patrick. 2002. Rebel Visions: The Underground Comix Revolution 1963 – 1975. Seattle: Fantagraphics Books.
Stamenković, Dušan i Miloš Tasić. 2014. „Prvi svetski rat u vizuelnom jeziku stripova Žaka Tardija“. U Prvi svjetski rat – odraz u književnosti, jeziku i kulturi, uredile Sanja Macura i Jelena Ristović, 513-529. Banja Luka: Filološki fakultet, Univerzitet u Banjoj Luci.
Stamenković, Dušan i Miloš Tasić. 2015. „Analiza diskursa u vizuelnom jeziku stripa“. U Jezik, književnost, diskurs – jezička istraživanja, uredile Biljana Mišić Ilić i Vesna Lopičić, 203-219. Niš: Filozofski fakultet u Nišu.
Scott, Cord. 2013. From HYDRA to Al-Qaeda: Depictions of Terrorism in Comic Books. Dostupno na: https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1011&context=revisioning
Sargent, Lyman Tower. 2001. „US Eutopias in the 1980s and 1990s: Self-Fashioning in a World of Multiple Identities“. In Utopianism/Literary Utopias and National Cultural Identities: A
Comparative Perspective, edited by Paola Spinozzi, 221–231. Bologna: University of Bologna.
Spinelli, Ricardo. 2015. V for Vendetta: From Books and Book Markets into Real Worlds. Master’s Thesis. Florianópolis: Federal University of Santa Catarina.
Sabin, Roger. 1993. Adult Comics: An Introduction. London, New York: Routledge.
Škoro, Ivana Emily. 2017. The Graphic, the Comic, the Postmodern, and the Fantastic: A study on Alan Moore, s League of Extraordinary Gentlemen. Diploma Thesis. Filozofski fakultet u Zagrebu. Department of English Language and Literature.
Tilley, Carol T. 2012. „Seducing the Innocent: Fredric Wertham and the Falsification that Helped Condemn Comics“. Information & Culture: A Journal of History 47 (4): 383-413. DOI:10.1353/lac.2012.0024.
Thatcher, Margaret. 1995. The Downing Street Years. London: Harper Collins Publishers.
Thomson, Iain D. 2007. „Deconstructing the Hero“. In Comics as Philosophy, edited by Jeff McLaughlin, 100–129. Jackson: University Press of Mississippi.
Taylor, Alva & Henrich R. Greve. 2006. „Superman or the Fantastic Four? Knowledge Combination and Experience in Innovative Teams“. The Academy of Management Journal 49 (4): 723-740.
Vukadinović, Ana. 2015. „Put od heroja do antiheroja i uživanje u televizisjkim antiherojskim narativima“. Kultura 146: 131-143.
Vanderbeke, Marie & Dirk Vanderbeke. 2015. „Graphic Dystopia: Watchmen (MOORE/GIBBONS, 1986-1987) and V for Vendetta (MOORE/LLOYD, 1982-1989)“. In Dystopia, Science Fiction, Post-Apocalypse: Classic New Tendencies and Model Interpretations, edited by Alessandra Boller and Eckart Voigts, 201-220. Trier: Wissenschaftlicher Verlag Trier.
Williams, Jeff. 1999. Culture, Theory, and Graphic Fiction. Phd Thesis. Lubbock: Graduate Faculty of Texas Tech University.
Zarić, Miloš. 2020. „O ubrzanju vremena iz ugla tehnološke i spoznajne inovativnosti: strukturalno- semiloška analiza romana ’Vremeplov’“. Etnoantropološki problemi 15 (2): 417-447. https://doi.org/10.21301/eap.v15i2.3
Zarić, Miloš. 2019. “Preduzetništvo i tranzicija u Srbiji u ogledalu medija: antropološka analiza priča o tehnološko-preduzetničkim poduhvatima”. Antropologija 19 (1): 169-198.
Žikić, Bojan. 2010. „Antropologija i žanr: naučna fantastika – komunikacija identiteta“. Etnoantropološki problemi 5 (1): 17-34. https://doi.org/10.21301/eap.v5i1.1
Izvori (dokumentarni filmovi)
Superheroes Decoded (2017)
https://www.facebook.com/itsgeekystuff/videos/295644977528202/?v=295644977528202
Secret Origin: The Story of DC Comics (2010)
https://www.youtube.com/watch?v=N1lSTjClKfs
PBS Superheroes: Truth, Justice and the American Way (2013)
https://www.youtube.com/watch?v=xtQ-pA6uM3c
Comics Britannia Episode 3 – X Rated: Anarchy in the UK (2007)
https://www.youtube.com/watch?v=alZAEJQn3A0
The Mighty Misfits Who Made Marvel (2017)
https://www.documentaryarea.tv/player.php?title=The%20Mighty%20Misfits%20Who%20Made%20Marvel
Masterpiece: Frank Miller's The Dark Knight Returns (2013)
https://www.youtube.com/watch?v=SkojhdBT1D0
She makes comics (2014)
##submission.downloads##
Objavljeno
Kako citirati
Broj časopisa
Sekcija
Licenca
Sva prava zadržana (c) 2020 Autori

Ovaj rad je pod Creative Commons Autorstvo-Deli pod istim uslovima 4.0 Internacionalna licenca.


