Opera kao slika društva: rituali “iskrivljenih ogledala” u markgrofovskoj operi u Bajrojtu u 18. veku
DOI:
https://doi.org/10.21301/eap.v11i1.1Ključne reči:
opera, ritual, Bajrojt, markgrofovska opera, Vilhelmina od BajrojtaApstrakt
U članku predlažem ritualistički pristup operi u istorijskom slučaju markgrofovske opere u bavarskom Bajrojtu sredine 18. veka, kako bih ukazao na to da se dvorska opera može razumeti kao jedna vrsta slike društva. U tom smislu, dvorska opera se posmatra kao posebna vrsta komunikacije putem koje je opera uspostavila različite tipove odnosa između sebe i društvenih svetova u kojima i za koje je stvarana. Referirajući na operske rituale organizovane pod vođstvom i sponzorstvom Vilhelmine od Bajrojta i njenog supruga Frederika, biće utvrđeno kako je vladajući par koristio operu za niz društvenih i političkih ciljeva. Markgrofovska opera je, i kao žanr i kao institucija, interpretirana uz pomoć analitičkih modela antropologa rituala i teatra kao što su Viktor Tarner, Kliford Gerc, Moris Bloh, Stenli Tambija i Ketrin Bel i uz korišćenje njihovih teorija rituala, posebno Tarnerovog koncepta “dvorane iskrivljenih ogledala”.
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