Analyse anthropologique de la représentation de la déprivation dans la vieillesse à travers le film Bateaux de nuit
DOI :
https://doi.org/10.21301/eap.v19i3.11Mots-clés :
film, vieillesse, sémiotique, relations de couple, déprivationRésumé
Au centre de l’analyse anthropologique se trouve le film croate Noćni brodovi (Bateaux de nuit, 2012) réalisé par Igor Mirković. Le film traite la relation du couple développée entre les résidents d’une maison de retraite à Zagreb, éclairant, entre autres, les nombreux problèmes et difficultés auxquels sont confrontés des gens âgés tentant d’ouvrir un nouveau chapitre amoureux à la fin de leur vie dans des conditions spécifiques dans cet établissement. Le nouveau couple s’échappe de la maison de retraite, comme un acte de résistance, laissant place à l’analyse des représentations visuelles de toute une série de déprivations auxquelles sont confrontées les personnes âgées. La représentation de la dépendance physique, émotionnelle et économique qui résultent par l’incapacité de prendre une décision de manière indépendante, est conforme aux résultats d’une recherche de terrain menée pendant plusieurs années dans les maisons de retraite en République de Serbie. Cette recherche, orientée vers l’étude de nouvelles relations du couple comme stratégies de l’action des résidents, sera comparée avec les solutions visuelles du film. L’interprétation de la représentation visuelle de la déprivation et de la présumée caractéristique de l’impuissance associée aux personnes âgées par la société, comprendra également une interprétation sémiotique de l’expression symbolique utilisée par le film.
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